Like many people, I like to carry a bag with me almost everywhere I go. Beyond being pretty handy for carrying reading materials on long train journeys, a raincoat (oh the joys of living in Blighty), or stowing away purchases while out shopping, my favourite rucksack (with its well hidden laptop slip, very large central compartment, and two outer pockets) also lets me carry my entire photography kit with me wherever I go.
Left to right: 2011 MacBook Pro (still going strong!), Canon Powershot A590 IS, “Explorer Nocturne” Diana F+ (1 of a Lomography special edition run of 1000) and flash with colour filters, mini telescopic tripod with phone and action cam mounts, notebook (by Muji; for camera settings and photo locations, dates, and times), Akaso EK7000, iPhone 6s, chest mount harness (with action camera, mobile phone, and camera tripod head screw options; action camera mount pictured).
I am sure many will be quick to notice the absence of a (D)SLR (often so bulky that one can easily occupy a similar amount of bag-space to my entire current kit combined): an absence that is not just practicality- or financially-motivated, but also personal choice formed over a decade of photography, but more on that later. Whilst some items (the notebook, tripod, and mounts) need little introduction and even less discussion (though the value of a notebook, particularly for analogue photography, should never be underestimated), over the course of the coming post series I will be going into depth on each part of my kit and how I like to use them, illustrated with examples of my work.
Canon A590 IS – Nami (no post-processing).
Akaso EK7000 – Gloria (no post-processing). I very rarely use the photo mode on this camera due to its fish-eye lens, the lack of any kind of zoom, and the very limited camera settings, but it does step up to the plate in dirty, sandy, and wet environments (the worst enemies of a typical photo camera).